Results for "Nakanishi Yoshio to Attributed"

15,227 prints foundViewing prints 2,701 to 2,800

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Courtesan Hanazuma of the Hyôgoya and Kenbishi Sake by Sakagami (Hyôgoya Hanazuma, Sakagami no Kenbishi), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Captain Higuchi, A Fierce Warrior, Ready to Lay Down His Life for Mercy's Sake at Fort Motianling (Môshô sei o nageutte Higuchi taii Matenrei o jin'ai o sutezu)" by Ôkura Kôtô

Ôkura Kôtô MFA

Japanese Print "Mount Kusuri on the Road to Zenkô-ji in Shinano Province (Shinshû Zenkô-ji michi Kusuriyama), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)" by Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Japanese Print "Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)" by Miki Tangetsu

Miki Tangetsu MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)" by Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Japanese Print "At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)" by Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)" by Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)

Japanese Print "Ima o tobe (Tocho-Ⅰ) 今を翔べ（都庁ーⅠ） (The Flying (Metropolitan Government Office-Ⅰ)) / Tokyo hyakkei niju-isseiki e no messeeji 東京百景２１世紀へのメッセージ (One Hundred Views of Tokyo: Message to the 21st Century)" by Seiko, 静湖 (Kawachi Seiko (河内成幸))

Japanese Print "Tokyo-to Adachi-ku Hanabatake-cho shozai B-29 mumei senshi no haka 東京都足立区花畑町所在 B-29無名戦死之墓 (Grave of the Unknown Soldiers of the B-29s, Located at Hanabatake-cho, Adachi-ku, Tokyo)" by Sei'u, 伊藤清雨 (Sei'u (伊藤清雨))

Japanese Print "From the Famous Places in Modern Tokyo Series: The Crowds at Kinryuzan Temple, Senso-ji Temple on Yonman Rokusen Day (July 9-10, when one visit is considered equivalent to 46,000)" by Utagawa Hiroshige III, 三代目歌川広重 (UTAGAWA Hiroshige III)

Hiroshige III ETM

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Triptych: Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "[A Russian officer and a Japanese officer are standing on a large map, the Japanese officer has pulled up a piece of the map causing the Russian officer to slip and fall]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Japanese Print "No 1 / Seichu gishi den" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi (歌川国芳))

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)" by Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)

Sukenobu Worcester

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]" by Unknown, 無款 (null)

Japanese Print "Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Russo Japanese War Report: Our Cavalry Scouts Clashed with 600 Enemy Cavalry Outside Nanmon at Chongju [Jap. Teishu/Ch. Dingzhou] After a Desperate Fight Our Forces Occupied Chongju Putting the Enemy to Flight" by Itô Seisai

Itô Seisai MFA

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Poet Kakinomoto no Hitomaro Preparing to Inscribe Poem Card (Shikishi): Japanese Court Poetry (Waka), from the series Four Styles of Poetry for the Master Character 'No' (Nonoji-ô shiika renpai), Edo period, circa 1817" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Mouse and Mallet" by Ogata Gekko, 尾形月耕 (Ogata Gekko)

Ogata Gekko Artelino

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "May 1, 1904 Our Army Occupied Jiuliyu, Hushan and Jiuliancheng-- It Is Worth Boasting to the World about the Bravery of Our Soldiers (Meiji sanjûshichi nen gogatsu tsuitachi waga gun Kurishima oyobi Kosan narabini Kyûrenjô...)" by Utagawa Kokunimasa (Ryûa)

Utagawa Kokunimasa (Ryûa)MFA

Japanese Print "Captain Higuchi, Battalion Commander of the Sixth Division, While Occupying the Gun Emplacements at Zhaobeizui [in the Battle of Weihaiwei], Saw a Child of the Enemy Lying on the Ground and Came to Its Aid..." by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Japanese Print "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Japanese Print "Mitsu: Moon of Mid-autumn [in the Eight Month] (Chûshû no meigetsu), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Yaburu: The Festival of Ebisu in the Tenth Month (Kannazuki Ebisu kô), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Sadan: Season Openings of Kabuki in the Eleventh Month (Shimotsuki no kaomise), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Excursion to the Kamo River (Kamogawa yûran), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Excursion to the Kamo River (Kamogawa yûran), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Excursion to the Kamo River (Kamogawa yûran), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print ""Our Ship, the Sazanami, seized the enemy warship, which was about to sink because of leakage of water. Brave sailors on our ship removed the battle flag at risk of their lives. March 10, 1904."" by Kôkyo

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Excursion to the Kamo River (Kamogawa yûran), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "[Chinese Emperor(?) and Empress(?) seated on raised platform with musicians seated in front of them; the Emperor appears to have lost his nose and part of his right shoulder, the Empress part of her scalp]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)