Results for "To_so_"

15,418 prints foundViewing prints 2,601 to 2,700

Japanese Print "Scorning a Poor but Honest Person (Shôjiki ni shite otoroetaru hito o karoshimuru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Wanting to Decide Right Away (Hayaku kimetai)/ Octopus from Takasago in Harima Province (Banshû Takasago tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "No. 43 - Yokkaichi: Junction with the Side Road to the Shrine (Sangûdô oiwake), from the series The Tôkaidô Road - The Fifty-three Stations (Tôkaidô - Gojûsan tsugi no uchi)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Wanting to Decide Right Away (Hayaku kimetai)/ Octopus from Takasago in Harima Province (Banshû Takasago tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Decide Right Away (Hayaku kimetai)/ Octopus from Takasago in Harima Province (Banshû Takasago tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "The Sleeping Dragon Plum Beginning to Bloom in the Plum Garden (Umeyashiki garyûbai kaika no zu), from the series Collection of Famous Places in Edo (Edo meisho zukushi)" by Keisai Eisen, 渓斉英泉 (Keisai Eisen)

Japanese Print "Scorning a Poor but Honest Person (Shôjiki ni shite otoroetaru hito o karoshimuru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "No. 43 - Yokkaichi: Junction with the Side Road to the Shrine (Sangûdô oiwake), from the series The Tôkaidô Road - The Fifty-three Stations (Tôkaidô - Gojûsan tsugi no uchi)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Kun: Suiwata no bosetsu 紺,吹綿の暮雪 (Blue: Twilight Snowfall at Suiwata) / Ningen banji afumi hakkei 人間萬事愛婦美八景 (Incidents of Everyday Life Compared to the Eight Views and Eight Trigrams)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi (歌川国芳))

Japanese Print "Akai: Satsuma-no-kami Tadanori, Okabe Rokuyata Tadazumi 赤,薩摩守忠度,岡部六弥太忠澄 (Red: Satsuma-no-kami Tadanori, Okabe Rokuyata Tadazu) / Eiyu goshiki awase 英勇五色合 (Heroes Matched to Five Colours)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi (歌川国芳))

Japanese Print "Omori no Hikoshichi Leading a Demon to a Comb Shop, and Susanoo no Mikoto and Kushiihadu Hime Operating an Eel Shop, from the series Comic Warriors for Children" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Contemporary Famous Happenings (Kinsei kisekikô) in 5 volumes, with designs by Kita Busei (1776-1856), Late Edo period, dated to the 1st year of the Bunka Era (1804)" by Kitao Masanobu

Kitao Masanobu Harvard

Japanese Print "Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900" by Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)

Chikanobu Harvard

Japanese Print "Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900" by Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)

Chikanobu Harvard

Japanese Print "Eight Views of Japan, Miho no Matsubara (Yamato hakkei, Miho no Matsubara): Asuka of the Sugata-Ebiya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)" by Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)

Japanese Print "In the Ruined Palace at Sôma, Masakado's Daughter Takiyasha Uses Sorcery to Gather Allies (Sôma no furudairi ni Masakado himegimi Takiyasha yôjutsu o motte mikata o atsumuru)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Let It Go (Nigashite yaritai)/ Arrowroot from Yoshino in Yamato Province (Yamato Yoshino kuzu), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Yoshitsune's Cherry Tree and the Shrine to Noriyori at Ishiyakushi, no. 45 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "The Junction of the Pilgrim's Road to Ise at Seki, no. 48 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Yoshitsune's Cherry Tree and the Shrine to Noriyori at Ishiyakushi, no. 45 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Yoshitsune's Cherry Tree and the Shrine to Noriyori at Ishiyakushi, no. 45 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount inoha, from Shinkei sanjurokkaisen (The new forms of the thirty-six ghosts), 1890" by Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)

Yoshitoshi HRSHB

Japanese Print "Singing-Frog Cage and Screen/The Dry-Shallows Shell (Minasegai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "How to Go In and Out of Sliding Doors (Shôji no ideiri no shi yô), from the series Instructions in Manners for Modern Women (Tôryû onna shorei shitsukekata)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Iwai Kumasabuo as Miuraya no Takao in Group 10. No. To. Komagata from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze series" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)

Japanese Print "Peasants with Torches Going up to the Bell Tower; Illustration of poem by Sosei Hoshi - Pl. 4 of portfolio of 4 from the Hyaku Nin Shu (One Hundred Poems as explained by the Nurse)" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Japanese Print "Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso (Minamoto Yoshinaka Shitennô to tomo ni Kiso no okuyama ni tengu o taiji su)" by Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô II)

Japanese Print "Hodogaya: Entrance to Shinmachi (Hodogaya, Shinmachi iriguchi), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso (Minamoto Yoshinaka Shitennô to tomo ni Kiso no okuyama ni tengu o taiji su)" by Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô II)

Japanese Print "Actors Bandô Mitsugorô III as Kagokaki Yotsuyu no Jirozô, actually ?tô no Miya no Bôre (R) and Iwai Hanshirô V as Jirozô Nyôbô Oyuki, actually Kureha no Bôrei (L)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "The Humane Great Japanese Red Cross Medical Corps Tending to the Injured in the Russo-Japanese War (Hakuai naru dai Nihon Sekijûji eiseitai Nichiro sentôchû fushôsha kyûgo no zu)" by Gakyôjin

Japanese Print "Hodogaya: Entrance to Shinmachi (Hodogaya, Shinmachi iriguchi), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)" by Utagawa Yoshimori

Utagawa Yoshimori MFA

Japanese Print "Rocks for Tray Landscapes from Bitchû Province (Bitchû bonseki)/ Wanting to Make It Bloom Sooner (Hayaku hirakasetai), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try It On Right Away (Hayaku kite mitai)/? from Kumano in Kii Province (Kishû Kumano ?), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Night Rain (Yoru no ame): Karakoto of the Chôjiya, kamuro Ageha and Yayoi, from the series Eight Views of Visits to the Flourishing Pleasure District (Kayoi kuruwa sakari hakkei)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "The Courtesan Hitofude of the Tama Establishment on Her Way to the First Writing of the New Year, no. 5 from the series Center Street for the Hisakataya Circle" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Japanese Print "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Actors (R to L) Bandô Hikosaburô, Sawamura Tosshô, Ichikawa Sadanji, Sawamura Tosshô, and Nakamura Shikan in Two Scenes from a Play about the Rebellion at Date Castle in Sendai" by Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Japanese Print "Zuiryû-ji Temple, Popularly Called Priest Tetsugen's Temple (Zuiryû-ji, zoku ni Tetsugen-ji to iu), from the series One Hundred Views of Osaka (Naniwa hyakkei no uchi)" by Hasegawa Sadanobu I, 代長谷川貞信 (Hasegawa Sadanobu I)

Japanese Print "Morning Visit to the Myôken Shrine at Jian-ji Temple (Jian-ji Myôken-gû asamairi no zu), from the series One Hundred Views of Osaka (Naniwa hyakkei no uchi)" by Hasegawa Sadanobu I, 代長谷川貞信 (Hasegawa Sadanobu I)

Japanese Print "Eight Views of Japan, the Sea at Naruto (Yamato hakkei, Naruto no umi): Nanahito of the Sugata-Ebiya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)" by Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)

Japanese Print "Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)" by Utagawa Yoshimori

Utagawa Yoshimori MFA

Japanese Print "Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)" by Utagawa Yoshimori

Utagawa Yoshimori MFA

Japanese Print "Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso (Minamoto Yoshinaka Shitennô to tomo ni Kiso no okuyama ni tengu o taiji su)" by Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô II)

Japanese Print "Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)" by Utagawa Yoshimori

Utagawa Yoshimori MFA

Japanese Print "Wanting to See One's Appearance (Sugata o mitai)/Tie-dyed Fabric from Bungo Province (Bungo shiborizome), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Hiratsuka: Scene at an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Masao of the Hanabishiya as a Country Girl on a Pilgrimage to Ise (Ise mairi inaka musume), from the series Gion Festival Costume Parade (Gion mikoshi harai nerimono sugata)" by Utagawa Toyokuni (Hasegawa Toyokuni)

Japanese Print "Hodogaya: Entrance to Shinmachi (Hodogaya, Shinmachi iriguchi), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Three Travelers Presenting Travel Pass to an Official/ Arai (Checkpoint), from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Armor (for the Role of Katô Kiyomasa) on a Chest Belonging to Actor Ichikawa Danjûrô 5th, from the series Scenes Backstage (Gakuga niban tsuzuku), Edo period, early 19th century" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Japanese Print "Women Hanging Strips of Dried Sea-Ear/The Abalone Shell (Awabi), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Arashi Rikan as Kaga no Chiyo in Group 2. No. Mi.Fudanottsuji Bay ( ) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesrikan as Kaga no ChiyoGroup 3. No. Mi. Fudanotsuji Bay from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze series" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Figures from Ôtsu-e Paintings in a Parody of Narihira's Journey to the East (Ôtsu-e no azuma kudari), from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)" by Kawanabe Kyosai, 河鍋暁斎 (Kawanabe Kyôsai (Gyôsai))

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Kintoki Selling Beans to Demons (top) and Nasu no Yoichi in an Archery Gallery (bottom), from the series A Collection of Warriors for the Amusement of Children (Dôgi musha zukushi)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Man Attempting to Lift the "Tiger Stone" (Tora ga Ishi)/ Ôiso, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Suited to Crepes Stocked by Echigoya (Echigoya shi-ire no chijimi muki), from the series Summer Outfits: Beauties of Today (Natsu isho tosei bijin), Late Edo period, circa 1804-1806" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro)

Utamaro Harvard

Japanese Print "Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Courtesan Hanazuma of the Hyôgoya and Kenbishi Sake by Sakagami (Hyôgoya Hanazuma, Sakagami no Kenbishi), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Captain Higuchi, A Fierce Warrior, Ready to Lay Down His Life for Mercy's Sake at Fort Motianling (Môshô sei o nageutte Higuchi taii Matenrei o jin'ai o sutezu)" by Ôkura Kôtô

Ôkura Kôtô MFA

Japanese Print "Mount Kusuri on the Road to Zenkô-ji in Shinano Province (Shinshû Zenkô-ji michi Kusuriyama), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)" by Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Japanese Print "Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)" by Miki Tangetsu

Miki Tangetsu MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)" by Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Japanese Print "At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)" by Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

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Japanese Print "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Red Temple In Winter" by Mori Masamoto (森正元)

Mori Masamoto (森正元)JAODB

Japanese Print "Red Temple In Winter" by Mori Masamoto (森正元)

Mori Masamoto (森正元)JAODB