Results for "Ota Saburo to Attributed"

15,422 prints foundViewing prints 2,901 to 3,000

Japanese Print "Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso (Minamoto Yoshinaka Shitennô to tomo ni Kiso no okuyama ni tengu o taiji su)" by Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô II)

Japanese Print "Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)" by Utagawa Yoshimori

Utagawa Yoshimori MFA

Japanese Print "Wanting to See One's Appearance (Sugata o mitai)/Tie-dyed Fabric from Bungo Province (Bungo shiborizome), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Hiratsuka: Scene at an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Masao of the Hanabishiya as a Country Girl on a Pilgrimage to Ise (Ise mairi inaka musume), from the series Gion Festival Costume Parade (Gion mikoshi harai nerimono sugata)" by Utagawa Toyokuni (Hasegawa Toyokuni)

Japanese Print "Hodogaya: Entrance to Shinmachi (Hodogaya, Shinmachi iriguchi), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Three Travelers Presenting Travel Pass to an Official/ Arai (Checkpoint), from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Armor (for the Role of Katô Kiyomasa) on a Chest Belonging to Actor Ichikawa Danjûrô 5th, from the series Scenes Backstage (Gakuga niban tsuzuku), Edo period, early 19th century" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Japanese Print "Women Hanging Strips of Dried Sea-Ear/The Abalone Shell (Awabi), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "The Actor Ichikawa Danjuro V, Probably as Ise no Saburo Disguised as Sanjo Uemon, Leader of a Robber Gang, in Part Two of the Play Fude-hajime Kanjincho (First Calligraphy of the New Year: Kanjincho [The Subscription List]), Performed at the Nakamura Theater from the Fifteenth Day of the First Month, 1784" by Katsukawa Shunko, 勝川春好 (Katsukawa Shunkô)

Japanese Print "The Actor Nakamura Nakazo I as Yamaoka no Saburo in "Momiji Kumo Nishiki no Tsuri Yogi" (Maple Clouds: A Brocade of Coverlets Hung Up), Act Three of the Play Kawaranu Hanasakae Hachi no Ki (The Ever-Blooming Potted Tree), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1769" by Ippitsusai Buncho, 一筆斉文調 (Ippitsusai Bunchô)

Japanese Print "Arashi Rikan as Kaga no Chiyo in Group 2. No. Mi.Fudanottsuji Bay ( ) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesrikan as Kaga no ChiyoGroup 3. No. Mi. Fudanotsuji Bay from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze series" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Figures from Ôtsu-e Paintings in a Parody of Narihira's Journey to the East (Ôtsu-e no azuma kudari), from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)" by Kawanabe Kyosai, 河鍋暁斎 (Kawanabe Kyôsai (Gyôsai))

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Kintoki Selling Beans to Demons (top) and Nasu no Yoichi in an Archery Gallery (bottom), from the series A Collection of Warriors for the Amusement of Children (Dôgi musha zukushi)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Man Attempting to Lift the "Tiger Stone" (Tora ga Ishi)/ Ôiso, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Suited to Crepes Stocked by Echigoya (Echigoya shi-ire no chijimi muki), from the series Summer Outfits: Beauties of Today (Natsu isho tosei bijin), Late Edo period, circa 1804-1806" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro)

Utamaro Harvard

Japanese Print "Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Courtesan Hanazuma of the Hyôgoya and Kenbishi Sake by Sakagami (Hyôgoya Hanazuma, Sakagami no Kenbishi), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Captain Higuchi, A Fierce Warrior, Ready to Lay Down His Life for Mercy's Sake at Fort Motianling (Môshô sei o nageutte Higuchi taii Matenrei o jin'ai o sutezu)" by Ôkura Kôtô

Ôkura Kôtô MFA

Japanese Print "Mount Kusuri on the Road to Zenkô-ji in Shinano Province (Shinshû Zenkô-ji michi Kusuriyama), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)" by Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))

Hiroshige II MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)" by Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Japanese Print "Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)" by Miki Tangetsu

Miki Tangetsu MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)" by Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Japanese Print "At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)" by Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi (歌川国芳))

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)" by Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)

Japanese Print "Ima o tobe (Tocho-Ⅰ) 今を翔べ（都庁ーⅠ） (The Flying (Metropolitan Government Office-Ⅰ)) / Tokyo hyakkei niju-isseiki e no messeeji 東京百景２１世紀へのメッセージ (One Hundred Views of Tokyo: Message to the 21st Century)" by Seiko, 静湖 (Kawachi Seiko (河内成幸))

Japanese Print "Tokyo-to Adachi-ku Hanabatake-cho shozai B-29 mumei senshi no haka 東京都足立区花畑町所在 B-29無名戦死之墓 (Grave of the Unknown Soldiers of the B-29s, Located at Hanabatake-cho, Adachi-ku, Tokyo)" by Sei'u, 伊藤清雨 (Sei'u (伊藤清雨))

Japanese Print "From the Famous Places in Modern Tokyo Series: The Crowds at Kinryuzan Temple, Senso-ji Temple on Yonman Rokusen Day (July 9-10, when one visit is considered equivalent to 46,000)" by Utagawa Hiroshige III, 三代目歌川広重 (UTAGAWA Hiroshige III)

Hiroshige III ETM

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Triptych: Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Kiyochika Harvard

Japanese Print "[A Russian officer and a Japanese officer are standing on a large map, the Japanese officer has pulled up a piece of the map causing the Russian officer to slip and fall]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Japanese Print "Mount Fuji from Nirasaki" by Okumura Koichi

Okumura Koichi Artelino

Japanese Print "Hiratsuka 平塚 / Tokaido gojusan-tsui 東海道五十三対 (Fifty-three pairings along the Tokaido Road)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige (歌川広重))

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)" by Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)

Sukenobu Worcester

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]" by Unknown, 無款 (null)

Japanese Print "Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Russo Japanese War Report: Our Cavalry Scouts Clashed with 600 Enemy Cavalry Outside Nanmon at Chongju [Jap. Teishu/Ch. Dingzhou] After a Desperate Fight Our Forces Occupied Chongju Putting the Enemy to Flight" by Itô Seisai

Itô Seisai MFA

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard