Results for "Attributed to Hokyo Mitsukazu (Japanese)"

29,191 prints foundViewing prints 7,801 to 7,900

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)" by Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Japanese Print "Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)" by Miki Tangetsu

Miki Tangetsu MFA

Japanese Print "Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)

Hiroshige Chazen

Japanese Print "Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "This Shows a Woman Driving Nails into a Tree to Invoke the Death of a Faithless Lover; Illustration of poem by Chunagon Atsutada - Pl. 3 of portfolio of 4 from the Hyaku Nin Shu (One Hundred Poems as explained by the Nurse)" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Japanese Print "The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Young Lady with Fan" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "The Courtesan Kisegawa of Matsubaya" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "The New Year Niwaka Festival in the Pleasure Quarters" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Arashi Kitsusaburô II as Kajiwara Heiji" by Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))

Japanese Print "Arashi Rikan II as Miyamoto Musashi" by Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))

Japanese Print "Woman and Child Catching Fireflies" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Scene from the Third Act of Chushingura between Okaru, Kanbei, and Bannai" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Takao Sange no Den" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Monkey Bridge at Koshu" by Utagawa Hiroshige, 歌川広重 (In the Style of Utagawa Hiroshige (Japanese, 1797–1858))

Japanese Print "View of the Imperial Carriage" by Utagawa Kunitoshi, 歌川国利 (Utagawa Kunitoshi (Japanese, active 2nd half of 19th century))

Japanese Print by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "End of the Year" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "A Party of Geisha in a Suzumi-bune, i.e. "cooling-off boat." (Second Scene of a Boating Party)" by Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))

Japanese Print "Triumphal Return with Captured Goods (Gaisen shuho mono otomo), and Triumphal Return Bringing Captured Ships (Gaisen shuhosen o tomo ni tsureru), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "Parody of the Nô Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll), Edo period, circa 1769-1770 (Meiwa 6-7)" by Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)

Harunobu Harvard

Japanese Print "Marube no omi Akimaro (Shoku Nihonkôki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Makinoya Naritsura and Gyokushôsha Bunko, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Hino no Kumawakamaru from the Record of the Great Peace (Hino no Kumawakamaru: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Soga brothers (Soga Kyôdai: Soga monogatari), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Hana Someemon and Harunoya Narutake, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)" by Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)

Japanese Print "At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)" by Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)

Japanese Print "Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)" by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)" by Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)

Japanese Print "Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888" by Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)

Yoshitoshi Harvard

Japanese Print "Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "The Tale of Ono no Takamura from An Official Account of the Montoku Era (Ono no Takamura, Montoku jitsuroku), from the series Twenty-four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren, Honchô nijûshi kô)" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Japanese Print "Filial Son in Shinano (Shinano kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Filial Son in Musashi (Musashi no kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyodaan Matsutsuru and Kafûtei _ _, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)" by Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Japanese Print ""Our Ship, the Sazanami, seized the enemy warship, which was about to sink because of leakage of water. Brave sailors on our ship removed the battle flag at risk of their lives. March 10, 1904."" by Kôkyo

Japanese Print "Major General Ôdera Crossing the Sanzu River (Ôdera shôshô Sanzugawa o norikiri), and Triumphal Return: Joy of Parents and Children (Gaisen oyako no yorokobi), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)" by Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)" by Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)

Sukenobu Worcester

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]" by Unknown, 無款 (null)

Japanese Print "Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)" by Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)

Japanese Print "Rikusen dai-ichi Nippon gun dai shori: Teishu nammon-gai ni oite Kurokawa tai-i funsen no zu (Great victory for the First Japanese army in the continental war: The attack of Captain Kurokawa outside the South Gate of Dingzhou)" by Matsuno Yonejiro

Matsuno Yonejiro BM

Japanese Print "Kusunoki Tatewaki Masatsura from the Record of the Great Peace (Kusunoki Masatsura: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Takenoya Torazumi, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Dancing Girl Mimyô from the Mirror of the East (Maime Mimyô: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Haginoya Torikane, Edo period, circa 1821-1822" by Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)

Gakutei Harvard

Japanese Print "Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)" by Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)

Japanese Print "Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)" by Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))

Japanese Print "Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894" by Mizuno Toshikata, 水野年方 (Mizuno Toshikata)

Toshikata Harvard

Japanese Print "Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821" by Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)

Hokusai Harvard

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp" by Mizuno Kumejiro

Mizuno Kumejiro MAK

Japanese Print "Printer's woodblock" by Utagawa Toyokuni I, 歌川豊国 (Original print designed by Utagawa Toyokuni I (Japanese, 1769–1825))

Japanese Print "Mouse and Mallet" by Ogata Gekko, 尾形月耕 (Ogata Gekko)

Ogata Gekko Artelino

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "May 1, 1904 Our Army Occupied Jiuliyu, Hushan and Jiuliancheng-- It Is Worth Boasting to the World about the Bravery of Our Soldiers (Meiji sanjûshichi nen gogatsu tsuitachi waga gun Kurishima oyobi Kosan narabini Kyûrenjô...)" by Utagawa Kokunimasa (Ryûa)

Utagawa Kokunimasa (Ryûa)MFA

Japanese Print "Captain Higuchi, Battalion Commander of the Sixth Division, While Occupying the Gun Emplacements at Zhaobeizui [in the Battle of Weihaiwei], Saw a Child of the Enemy Lying on the Ground and Came to Its Aid..." by Migita Toshihide, 右田年英 (Migita Toshihide)

Japanese Print "Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô" by Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)

Japanese Print "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)

Japanese Print "Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824" by Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)